I have a love/hate relationship with polymer clay. After shunning it for years based on my perception of the overly cutesy-wootsy suburban housewife crafter (gingerbread men) and psychedelic hippie (cane) aesthetics, I’m here to tell you, polymer has come into its own. This is my second foray into this medium, the beads above were made a few weeks ago. And they got me very excited indeed about the possibilities for this medium.
As I set about to experiment again with polymer clay, I came up initially with the pieces above. I felt they were okay-ish. But they somehow felt a little safe. The leaves were beginning to have a nice, burnt feeling to them and I went on to create the entire suite of components below (Burnt Offerings collection).
What you can see here is my experiments in both surface texture and coloration. Do I start with dark or light clay? Paint it? Powder it? Gold leaf it? Smash it, scratch it, etch it, impress upon it, embed into it, bake it, carve it? The answer is yes! All of the above and more! Polymer is a really forgiving and soft surface, and therein lies its beauty and frustration. You can get GREAT results. If you handle it after you do, those results will smooth back out quickly. It seemed like starting with a batch of small components was a great way to experiment without wasting supplies.
Of course, you know me. Attention span of a gnat. Easily bored. Gotta go over the top. The above/below piece is a focal for a bracelet, entitled Octopus’s Garden. It has holes on either side to attach chain or ribbon, and a nice curve for the wrist achieved by baking it over a soda can. Features some of the burnt leaves poking out of a dark and spooky garden. With a squid tentacle and of course bling/sparkle/glitz. Because I can’t help myself! Darkness and light, people, darkness and light.
I did not invent any of the techniques you see in use in these pieces… they are out there for the grabbing… all over YouTube. I probably watched about 8 hours of how-to videos over the course of a week while I was working on these pieces and collecting up some supplies. Just go over to the site and search for polymer clay, it will all come up. And you can follow links in the videos for additional blog posts.
Most supplies are available at any craftstore; I went to Michael’s. I also stood in the aisle and read most of a polymer clay how-to book, so as to not have to buy it. Picked up some valuable tips! It was a full immersion into the medium… and I’ve still got a very long way to go with results. I like what I’ve done, but I’m still working it out.
Having started with black clay, it was challenging to get any contrast going with the textures/colors. Although it’s even more challenging to photograph these, and they actually have a LOT of coloration. Above you see experiments with a sparkly white clay, as well as embedding a vintage image under a glass dome. I think it’s important to mix polymer clay beads in with other kinds of beads as you see in the curation above (which will be a necklace) entitled For Amusement Only (imprinted on the vintage brass carnival token also pictured).
So, this is as far as I’ve gotten with this round of polymer. I’m pleased and excited to make more things. There are some truly amazing polymer artists out there who make the clay look like everything from metal to raku-fired pieces. I’m no expert, but if you decide to play, feel free to get in touch with me; I’d love to chat! Unless you decide to make ginger-bread men… then I don’t really want to hear from you. JUST KIDDING!!!!
PS: I have not yet bought the requisite pasta machine for kneading and rolling clay. I’m not sure I’ll need one for the small batches of work I’ll do.