This post comes to you with a soundtrack! So hit the play button on the CocoRosie performance above and read on.
When I first saw the work of Mia Kunyo — BeWakeful, on Etsy– I honestly thought I’d stumbled on the secret clothing design business of Sierra Cassady, the “Rosie” half of sister-duo CocoRosie. First of all, Mia (who models much of her work in her charming photos) possesses the same classic beauty and looks like Sierra’s long lost twin, but more importantly, her imaginative freaky clothing designs, as well as her colorful styling (crayola tribal warpaint!)… instantly put me in mind of the childlike playfulness of a band I obsessed over for many months!
Mia’s work is so original and fun, the dress pictured above is flirty-cool.
Hats, too! Visit Mia and check out her entire adorable line of goodies which include handmade tights, unitards, and collars among other things.
This week one of my FB buds posted a video by Sia, who I had somehow missed hearing about, and I’ll leave you with this amazing video, the styling for which immediately brought to mind the BeWakeful shop, CocoRosie, etc. You’ll need to get through ads on this next one, but trust me, it’s worth it. Spine-chilling good stuff.
If you’re joining us late, we’re crusing down the home stretch of an ENTIRE MONTH’s worth of blog posts cleverly titled (not) A Few of My Favorite Things. Originally conceived to invite you to consider buying handmade for the holidays, at this point I’m saying: Didn’t get anything good? Then why not GO TREAT YOURSELF to something gorgeously handmade? This entire post features the incredible work of Angela Rossi at Beat Up Creations, who likes to have fun with cast-off china plates.
Rossi’s shop is chock-full of delightful animal and pop-culture hero images, each married with their perfect plate, as if by destiny. She also sells very handsome art-prints and some art objects as well.
Ironic, hip, and very punk, if you ask me.
Pictured above is the series of plates I commissioned from Angela for the BF’s 60th birthday. Ray Davies, Keith Richards, and Johnny Thunders. They are DIVINE and she was a blast to work with!
Here’s a close-up of sexy-boy Keith, snuggled up with the old wedding china and a collection of cups I snagged from me mum. Spot ‘o tea anyone?
In the blurring worlds of visual arts and crafts, there can be simultaneous explosions of ideas, subject matter, supplies, and inspirations. Those that truly take hold become trends, and a trend run amok sadly becomes that wearying thing you wish would go away. Think owls, deer, mustaches. Fortunately, the things that don’t take hold simply act as threads linking artisans from across the world together. When I began experimenting with a simplistic cloud form in metalsmithing class, the idea bubbled up out of who-knows-where, and seemed to work as a shape that would not require the skills of a master, could absorb mistakes and inconsistencies, and had the potential for variation and expression. So I went with it. You’ve seen the results on the blog here, and above is another of the finished hollow-form brooches, entitled She Wept Crocodile Tears. That’s a vintage 1930’s cabochon with a vintage crystal chandelier drop.
I hadn’t seen loads of clouds out there in the marketplace, but a recent search pulled up a few… mostly sort of pedestrian, but some that were lovely, cute, scary, weird. This post collects and displays my favorites. Pictured above, from JessQuinnSmallThings in the UK, the delightful Clarissa Cloud brooch. There is much art to admire and purchase at Jess Quinn’s shop.
I’ll leave you with the adorably creepy Rain Cloud Dolly, by MungoCrafts of British Columbia. You’ll also find stylin’ handmade hoodies and other fun things at her shop.
As the perfect piggyback to yesterday’s post, allow me to introduce you to the work of Karen Ruane, who I believe is single-handedly (pun intended) keeping alive many traditions of sewn craft, with a particular focus on embroidery. Pictured above, from Karen’s Etsy shop, Contemporary Stitches, is one of a pair of handmade buttons. What a gorgeous treat for the closure on a handcrafted garment!
I first met Karen over on flickr, during my aforementioned personal adventures in stitchiness. When she put something of mine in her favorites list, I was entirely blown away, and although intimidated by her masterful work, I got in touch and we became fast friends (of the virtual kind). Pictured above is another of Karen’s works, entitled Precious Textile Fragment. This white on white art object, precious indeed, features a broad variety of stitches and techniques carried out with masterful skill.
Karen applies her craft in service of both the functional (such as buttons and cards) and museum-quality fine art works that are conceptual and personal. From her wonderful blog she states: For centuries women have used cloth as a tool of comfort and as an expression of beauty within their homes. Creating cloth for warmth, cloth for shelter, our female predecessors embellished these linens with hand stitch using laborious and time consuming techniques thereby enhancing the functional beauty of objects which enveloped and protected their families. Inspired by these women I hope my creations pay tribute to and recognise the devotion expressed in cloth by our female ancestors.
Published in Handmade UK magazine, Karen will also soon be offering an online course (hit the link and scroll 2/3 down) with 19 other artisans as part of Alma Stoller’s 2012 STITCHED WORKSHOPS. She also offers hew own online class Embroider, Embellish, Create, here.
BTW, Karen’s works of art are copyrighted (this post and all others in this series appear with the artist’s permission). In the New Year, I shall be posting a lengthy rant on the subject of “copying” in crafts, a topic of great debate that I have been burning brain cells on of late. And aren’t you looking forward to that?
Confession: It’s not all about the angst and edge around here; I absolutely love vintage hankies and many other very delicate collectibles. I can’t explain this, really. I’m old enough to remember when these objects were functionally in use and there is still something about them that I find incredibly evocative. Hankies, and vintage buttons too. They just seem to hold a lot of history… women’s history, in particular.
All of the dainties pictured in this post came from one delightful shop, aptly named The Hanky Lady.
I wonder if the hanky lady herself is liquidating a lifetime collection; as of this writing the number of items in her shop is staggering 262, with only a smattering of non-hanky goods.
The fabrics and handwork on these, the amazing embroidery and lace techniques… such lost arts, for the most part. I have a personal collection of hankies gathered over the years, some are family items, but I also remember scoring many dozens of them at a clip in thriftstores back in the day. Recently I was exploring embroidery myself and used hankies as my canvases at times, here are two such objects from my finished pieces. You can see more of this adventure up on flickr, second “set” on the right called embroidery (mine).
Sugar & Spice vintage 50’s handkerchief with added embroidery.
Snips & Snails vintage 50’s handkerchief with added embroidery.
Just b/c you are out of wall space doesn’t mean you have to stop buying art. There are always… pillows. Above is one of my favorite pillow-makers (pillowists?), In the Seam, who I met at Renegade Brooklyn this past year. I tried to get away from their booth unscathed, but returned for one of the NYC pigeon pillows pictured above. Would love to have a whole flock!
Of course then the flock would absolutely need a sewer cover, wouldn’t they? Of course they would! Cleverly, this pillow comes in NYC, Detroit, and Seattle versions. Love!
Speaking of Detroit, here’s another pillow-person, SaltLabs, who hails from that city, but doesn’t limit his/her work to same. At this lovely shop you can buy Paris, pictured above…
Coolest thing about moving my design practice to my home is that I’ve taken over the entire basement + garage here, and when designfarm hits a lull, I can dash into the jewelry studio and play. So today is a play day! Above are bits and pieces that are being patina’d and observed and considered for upcoming use.
I don’t use a lot of religious iconography in my work, but every now and then, something grabs me and insists. The sacred heart necklace is a 99-cent thriftscore and the hindu pieces came from the The Bead Warehouse. Don’t paper towels make terrific backgrounds? Maybe I will introduce that as the next Etsy craze. Wheeeeeeee!
The other two scary weeping clouds from metalsmithing class. These have set stones, which is a beeyatch, people. These are almost done. I have to go out and get some Permalac to use for setting the patina b/c wax made a big mess on this kind of surface. Pray for me.
So this has been in progress for WEEKS, a triple strand affair that is requiring a lot of planning and stopping and thinking, etc, but which I think is going to rock. I’m super ADHD in the studio (not to make light of it) and have to have like 40 things going on at once to flit back and forth… cut some tin, string some beads, brush more patina… photograph, blaaaaaag.
There’s a third little metal journal here, the red one. Making huge progress in easing the making of these. Much less struggle getting the parts and materials to comply with my wishes. Oh, the background here is this funky pink faux marbled kitchenette table I dragged out of my parent’s basement when they moved to their condo. I think it belonged to one of my grandmothers in the 50’s. It’s really gorgeous and I love being surrounded by old family “heirlooms.”
We have a framed piece hanging in our living room from YeeHaw, which bills itself as All Letterpress, All the Time. Their work is so flipping cool, and they’ve expanded their offerings since my last visit to include clothing, cards, and calendars along with their gorgeous art prints. Pictured above is Otis Redding from their Mini Soul Series.
I’m going to send you off to Wiki to learn about letterpress printing, if you don’t all ready know, but what you can’t experience until you see it in real life is the absolute lusciousness of these inked paper surfaces. And although wide commercial use of this process fell off in the 19th century, there’s been a substantial resurgence since the 90’s (including lots of wedding invites etc, but also ART). YeeHaw is one of my favorite houses of this craft and the Robert Johnson piece above makes me feel all woozy. Is it weird to want a bigger house only b/c you need more wall space???! I think we can still squeeze a few things in.
I “met” Moxie over on flickr, while looking through the favorite images of some friend of a friend of a friend… and I thought she and her bright pink hair and her darling felted goodies really rocked! Of course she’s also got an Etsy site where, lo and behold, you can buy KITS to learn how to needle-felt tiny cute things like the adorable bumble bee, Little Buggerpictured above!
Or you can pony up just $20 for Moxie’s book, I Felt Awesome, and also load up on supplies like roving, as well as tools, all at hifiberknits, her corner of the Etsyland.
I really have wanted to try needle-felting for a long time, but I need another craft passion addiction like I need one more little hole in my head. Still, Moxie’s got me mighty tempted. You too?
Wishing you the best of luck in resisting the needle-felted charm of VioletPi, Shop of Little Things. The shop is the work of Jennifer Novack, and needle felting never found a more capable, imaginative and delightful hand. And yes, they are even more amazing in real life. Pictured above is Green Retro Bunny, who reminds me a lot of the work of Mark Ryden, but in 3-dimensions!
And here we have Tiny Bee, standing only 2 inches tall. Unbelievably wonderful.
Since yesterday’s post came to you this morning… stay tuned for a related post this afternoon… yes people, it’s two-fer Monday.
