07.20.11
Wish I could claim this idea for my own, but alas, the crux of it was someone else’s. Still, this is my take on a mini tiara, all tricked out steampunk style, to go with the Westwood Anglomania shoes I posted about yesterday.
It features an actual vintage keyhole escutcheon, other hardware, and clock parts, all of which were in my studio stash here at So Charmed World HQ. As a tiara, it’s designed to tie around the head. Stays on really beautifully and looks so damn cool if I do say.
I also decorated one of my mini black top hats with some ribbon and tull, and the tiara can be tied around the front.
I have a few more of these tiaras planned; it was really fun to put together.
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12.23.10
Here are two new necklaces that I will not likely ever part with but which I wanted to share anyway. Above & below: (It’s a) Material Girl!
Giant early plastic baby rattle; I don’t think it’s celluloid, likely a bit later, 1950’s or thereabouts. I’m sure I had one of these. It’s filled with the most fascinating floating magenta glitter, making it impossible to stop looking at and playing with. It’s important to teach proper values to baby girls isn’t it?
Poor mousie has turned into a Death Rattle by no choice of his own. There isn’t really anything further to say.
Except maybe that this is just so wonderfully wrong.
Cheers!
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06.28.10
I am not content dear readers to only be The Girl With the Most Beads… I must also be The Girl With the Most Frocks. And, to that end, I have been thrifting for 3+ decades now… constantly scoring great vintage on what can only be described as a lifelong treasure hunt. I have also experimented with designing and making clothing, but alas I am impatient, and absolutely idiotic on a sewing machine.
In fact, many years ago (2002) I attended a Smithsonian Folk Festival called The Silk Road, which included a tent where a group of women were stitching together thriftstore garments, making the most amazing things out of trash. It was terribly hot in that tent, and Molly was a wee thing in a stroller, but we hung out for awhile, and I even went back a different day on my own to watch them sew. At that time I found out that all of the machines in use for the exhibit were on loan from a store and would be offered at half price afterwards. This is how I obtained my extremely high-end Babylock embroidery machine. Which I proceeded to timidly play with but mostly lived in dire fear of for close to 10 years.
In order to continue with this post, I must point you to the amazing world of Selene Gibbous of Gibbous Fashions. Above are three frocks from my collection, the one in the middle is a Gibbous piece. I wore this to the RimbaudMania opening in Paris and it is truly one of my most favorite and highly treasured posessions in this world.
Pictured from the back, yes, that is a ViewMaster film wheel attached to the Gibbous dress. Selene is a beautiful mad genius, a woman of incredible talent and unparalleled vision and if you read the crafts boards, you know that she is an inspiration to artists everywhere. My collection of Gibbous garments now numbers close to a dozen, including skirts, tops, a necktie, neck ruff, and two of her amazing hats. And although the photography on Selene’s site is some of the most gorgeously styled fashion shots I’ve ever seen… pictures simply do no justice to these works of art in real life. They are museum quality… each a lovely map of stitches and tears and tatters and fabrics and objects… pure poetry.
The dress at far left was my first really successful experiment at slashing up an ugly vintage dress (this one was borderline)… and then adding simple embellishments with fabric scraps and a cut up men’s shirt. This one is very girly and sugary, a bit like pink grapefruit lemonade on a hot summer day.
The tulle peeking out from the bottom was a thrifted vintage slip, and was personally paw-shredded by my cat Iggy Pop who LOVES to chew on anything tulle. He did a great job although I had to rinse out the cat spit. Ewwwwwww….
The garment pictured at the top of this endless post, and about which the post is titled, began life per the above… IF ONLY I’d photographed it. My neighbor, Katy K, can vouch for the fact that this was indeed a thrifted bridal/prom gown, all in white polyester, and about as ugly as they come. Purchased for $9.95, minus 25% with my “I’m Unique” discount card. On Friday afternoon the entire dress hit a vat of red (top) and brown (bottom) dye, and was laid out in my sunny backyard to dry. I am always thrilled at how different fabric takes dye, it’s entirely unpredictable and scary/fun. Parts of the dress went deep red, some of it went bright orange, and the rest turned a hideous shade of peach.
I am so sorry I didn’t shoot process photos during my obsessive stitchy weekend, but sisters let me say: the BF pronouned our dining room a sweat shop, fabric was flying, and the machine didn’t stop going from first thing Saturday morning until late Sunday night. I barely stopped to eat or go to the bathroom… although I did make a run to the sewing store for needles because I kept breaking them. Free motion quilting is truly one of the MOST fun experiences in my life as an artist. It was hard, challenging, frustrating, and amazing. There were times when I was just in a zone with it, my arms aching from pushing the fabric, a certain disbelief at the flawed beautiful mess that was developing before my eyes.
The details are pretty endless, every inch of this dress provided a new sort of mapping and colorway experience. I loved looping the stitches and incorporating a few bits of crochet I had in my textile collection. The hardest part was the “tailoring,” as I’d made a couple of key mistakes involving the dress lining. These caused big headaches down the pike, and lessons learned (remove lining… you WILL sew it to the top layer, and you WILL NOT want to rip out all that quilting).
The top of the dress came with kind of trashy/kind of cool glittered embroidery which, in the end, gave this garment a sort of India feel. I’m very proud of the pleated ruffle just under the bust which I made by hand from a curtain.
On the elevator in the office building this morning, I was carrying the dress so I could photograph it when a woman got on and began staring in amazement. When I told her I’d made it, her first question was: Do you sell them? Alas, the answer is no. I couldn’t possibly part with such a thing, and I am really making these clothes for my own amusement and expression, for wearing out to parties, and well, just for the art of it.
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05.21.10
Let’s go back to Paris shall we? I know I’d like to. Our rented apartment for the week was situated right between the fabulous Marais District and the Beaubourg District, making the Pompidou Centre one of our key landmarks from which we’d get lost anyway. As you know, I absolutely love gigantic modern art institutions, favorites being the Hirshhorn, MOMAnyc and MOMAsf, and the Whitney. I’m now placing this amazing museum into my top 5.
Completed in 1977 to much controversy, the Pompidou Centre is sometimes referred to as “the inside-out building” because of the incredible exo-skeletal ducts and pipes that are boldly presented on the exterior. The size of the structure is beyond breathtaking. Suffice to say it looms large, posing an incredible modern contrast to Paris’ ancient buildings.
Even the long escalator hangs on the outside of the building; riding it to the top floor for a spectacular view of the city was our first order of business once entering (free the first Tuesday [correction: first Sunday] of the month… a bonus!). It was like a slow, strange carnival ride.
We spent a rainy half day all cozy inside. The view from the top floor includes the Eiffel Tower, that fuzzy structure to the left in the above photo.
David (“the BF” to you) and Molly in one of the escalator tunnels.
Must photograph cool typography when travelling.
An exhibit of women artists was on display that day.
Niki de Saint Phalle–a recent obsession/inspiration of mine–was included. This French-born, American-raised society girl was an artist and fashion model, at 16 gracing the cover of Vogue magazine.
Her work is also on view nearby in the wonderfully playful Stravinsky Fountain (above), alongside co-conspirateur and husband Jean Tinguely‘s kinetic sculpture.
But it is de Saint Phalle’s early shooting paintings that really interest me most. Niki was known to openly reject the staid, conservative values of her family, which dictated domestic positions for wives and particular rules of conduct. However, after marrying young and giving birth to two children, she found herself living the same bourgeois lifestyle that she had attempted to reject; the internal conflict causing her to suffer a nervous breakdown. As a form of therapy, she was urged to pursue her painting. The shooting paintings were created by filling polythene bags with paint and enclosing them within layers of plaster against a blockboard backing. Spectators–including Robert Rauschenberg and Jasper Johns at one point–were invited to shoot at these constructions, releasing the paint. The moment of action and an emphasis on chance were as important as the finished work. De Saint Phalle stopped making these works in 1963, explaining ‘I had become addicted to shooting, like one becomes addicted to a drug‘.
The series of badges above, listing next week in the Debutantes section on So Charmed as well as in the Etsy shop, took close to 2 months to design and complete. Many many things were tried before I settled on the above materials and construction. Each image of de Saint Phalle–from tiara-sporting princess, to cover girl, to shooter, and finally looking eccetric and mature–is surrounded by lush velvet pleating. Shotgun bullet charms dangle from each pin.
Bang bang modern art, dears.
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05.20.10
I have had a growing collection of vintage mardi gras beads for many years now and recently my interest in these has peaked again.
The most collectable of the old “throws” as they are called are the vintage glass strings, made in the Czech Republic and later Japan, in the 1920’s-30’s. These beads fetch a nice price on the collector’s market. Becoming equally collectable though are the plastic beads made in Hong Kong in the 1960’s. The lot pictured in this post was scored for a ridiculously low price on ebay (under $10) and probably contains 200+ finished necklaces. Upon first glance to the average eye, it is easy to think of these as plastic trash, ready for the recycle bin.
Closer inspection and some careful sifting and combining however reveals absolutely gorgeous beads in colors no longer seen in jewelry and with a vast variety of shapes and textures.
Some of the colorways are highly sophisticated, others are playful, even garish, including true neons.
What I dearly love about these beads is that they all look like candy… even more so than their valued glass cousins. And as you know, edibility is one of my favorite aethestics when it comes to beads.
Working with the beads is challenging because they are lovely and perfect in their own right, highly wearable as far as I’m concerned. Above is one of my initial attempts to recontextualize a strand, combining them with a most fantastical tin carousel charm and other bits from the vast collection. I’m working on a series of these which will be available in the CircusDolls collection at So Charmed within a week or so.
Indeed, I believe with this most recent score, I have earned the title of this post, don’t you think? Here’s the Hole video as a soundtrack… xoxoxo
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05.18.10
Were you thinking it was all about art, literature, espresso, and monuments? Nooooooooo, mes amis. There was shopping. Yes, there was. Today’s post is just the stuff I happen to be wearing here at the office… and there’s a definite color way happening. The shoes above were purchased at Gaspard Yurkievich, deeply discounted as they were (gasp) last season’s stock. I must admit to having not heard of this designer (I know, can you believe it? Whatever!), but apparently he is rather the word, and the price of his clothing & shoes reflects that. Suffice to say, these were a serious score and I LOVE them. They glow. And look great with dark tights. And are even (gasp again) comfortable.
You might be under the impression that I never buy jewelry, and while I don’t often, occasionally I fall in love with something. Such was the case with this dear necklace, which is made of unglazed ceramic or porcelain or something. It’s bone white and just lovely, a lamb under a cloud. I love everything about it, the double dangling design, the simultaneous detail and anonymity, the weird material and the (at least in my mind) pro-vegetarian statement. Lambs under clouds, as they should be, not on plates. We stumbled (literally, severely jet-lagged) into this super cool shop our first day wandering our ‘hood, the Marais District. It was full of amazing designed goods: wearables (including some Vivienne Westwood jewelry!), household stuff, and miscellany. Later in the week, we tried in vain to find the shop again and are awaiting the (third gasp) Visa bill to find out the name of it.
You absolutely MUST buy and wear scarves in Paris. The one above is my favorite, a tattered fringed silk in poppy red, scored for 5 euros in a vintage store in the Marais that we visited several times b/c it was open for late night shopping and was full to the brim with trashy crazy super cheap used clothing. The Marais had tons of vintage stores, some chic, some, like this one, more thrift (as I prefer).
This vintage doctor bag purse was purchased at Gavilane, the store we (and others apparently… NOTE at the link above the hat in the window that looks remarkably like MY Paris hat!!) have dubbed The Goth Store, which had very cool but expensive jewelry and a lovely line of clothing. They also had a trunk full of these old handbags on sale for 15 euros. We met and befriended the jewelry designer, Mssr. Gavilane himself, exchanging cards and receiving a further discount to 10 euros. Who said Paris was expensive?? BTW, Gavilane is next door to Biblioteque Nationale where the Rimbaud Exhibit hangs.
This was NOT purchased in Paris, but started in my studio before the trip and finished up last weekend. I love how it turned out! Why is the Jesse James brooch included in this post? a) I like odd numbers of things and only have 4 Paris objects with me b) the colors were just too perfect and c) shameless self promotion. Available soon in the Pirates collection.
😉 A very super special thanks to the BF for supporting our endless shopping tho mind you, the dude can hold his own in such matters.
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05.14.10
One of my favorite adventures in Paris was lunch at the very famous Laduree, a bakery-turned-pastry-shop-and-tea-salon started in 1862 by Louis Ernest Laduree. Famous for their classic French macaroons (above), we delighted more in an unbelievable cup of hot cocoa (below), as well as a truly fabulous lunch with pastries and espresso for dessert.
The interior of Laduree is amazing… frilly and gilded and very Marie Antoinette!
Everything is beautifully designed, including the menu (above), a perfect-bound gorgeously printed book that describes every single pastry (dozens upon dozens) in loving detail.
If you prefer visuals, you only need to stroll over to the pastry case and TRY to choose which one you’d like to have brought to you.
Of course we couldn’t bring home pastries, but pictured above are all the petite souvenirs from lunch. It was all I could do not to nick one of those danged menus. 🙂
We did buy little gift boxes of the dear macaroons to bring home, but after reading that they hold up best over a 3-day period, we gobbled them all up ourselves and have only the lovely boxes to show for it. (Sorry).
What’s really funny to me is the uncanny relationship of my Etsy shop LaPatisserie to all things LaDuree. And I’m here to tell you that I had NEVER heard of the famous bakery when I conceptualized my online “French” pastry/jewelry shop, complete with alter-ego owner, Mme. Eclore. If you can figure out the secret to Mme. E’s name, email me… the first person who does will be the recipient of a free ‘Qu’ils mangent de la brioche’ (Let Them Eat Cake) ring! Bon apetit!
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02.22.10
Who’s got the button? Well… I know, but I’m not telling. Suffice to say that over the weekend I was granted entrance to the inner sanctum of one of the most prominent and experienced importers of Czech bohemian glass buttons in the USA. Folks, I’m not a religious woman, but I thought I had died and awoken in heaven. When my kind and generous host invited me to open any of the dozens and dozens of drawers and boxes in the collection room, I had to pinch myself to make sure I wasn’t having one of my recurring thrifting/collecting/hunting/gathering dreams.
The photo above captures the full haul of the day, which would have been 10x that amount had I not been on a pauper’s budget. Along with the buttons is a delicious 1/2 pound bag of glass beads in an incredible and irresistible palette. My plan is to craft one or two super duper long rosary beaded necklaces out of these. A good busy-hands activity while watching my new favorite shows (RuPaul’s Drag Race, Pawn Stars, etc.).
The Czech Republic has a long history of some of the finest glass work in the world, dating back to the Renaissance. Vintage beads and buttons are very collectible and currently commanding ultra high prices. Each button was/is handcrafted, including painting on the fronts or reverse painting, as shown above.
Today, some of the antique molds are being used again, and new techniques are adding to the amazing beauty of these miniature works of art.
Colors and styles range from baroque, to psychedelic, to mid-century modern with abstraction and patterns, as well as cats, dogs, magic mushroom men, puddings, fleur de lys, fairytales and rhinestone embellishments. I am deeply fond of some of the new figurals including the cicadas and moths (bats?). The white swan on pink glass with blue water could be my number one favorite. It’s an older button and getting difficult to come by.
Using the glass buttons in jewelry-making is a challenge; most have glass self-shanks that can not be removed without damaging the piece. I’ve seen people wrap fancy brass filigrees around the buttons but I find that to be visually noisy and distracting. So I’m working with my own techniques of incorporating these into my work… as a good friend says, a big part of jewelry-making (especially assemblage without formal “smithing”) is the solving of engineering problems.
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01.06.10
It’s getting near that time of year again, where hearts are beating louder than usual, expressing their love on St. Valentine’s Day. Hearts have been an icon of choice at So Charmed since the beginning; you can find them in every collection on the site. Some hearts are a bit macabre… pictured above, Bring Me the Heart of Marie Antoinette.
While some hearts are blue, possessing a web of Stress Fractures, as pictured above. This found object necklace resides in the personal collection of one of my favorite hearts, Ms Stephanie of Beverly Hills, CA.
Some hearts are sugary sweet and look good enough to eat, like these delicious Birthday Cake earrings created by the talented Madame Eclore for So Charmed.
Here and there, a heart has recieved more violent damage than a mere stress fracture, but always can be patched up again to get back in the game. My Mended Heart was sold long ago, a one-0f-a-kind necklace made from a hand-dyed lace wedding dress embellishment that I appropriately tortured with my nice and then fixed with stitches, safety pins and duct tape… because I am a very caring person and do not want to see any heart suffer.
But to leave you on a sweeter note (if ironically so), there are even Happy Puffy Hearts at So Charmed, like the little hair baubles pictured above. And, if you’ve read this far, you deserve some special sweetness! Please take 15% off of any piece of jewelry that features a heart, with the exception of sterling charm bracelets. Mention this blog post with your paypal payment and I will refund you promptly! Offer good through the end of January. xoxoxox, my loves!
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